Week Ending September 27th 2008
I love it when these things happen as if they had been planned that way. The singles chart this week has four upwardly mobile singles with each pair having something in particular to link them. Near the top two major new singles arrive on the chart to create what you might call a Tale Of Two Idols. Meanwhile lower down two otherwise unconnected records have the same lyric in common. Confused? All will be revealed shortly.
First however we must deal with the very top end and pay due attention to Kings Of Leon and their second week at the summit with 'Sex On Fire'. A slap in the face to those who expected them to be one week wonders, instead the American group have the perfect herald for this weeks release of their new album 'Only By The Night' which contains both this hit single and earlier freebie release 'Crawl'. As we have seen before, the release of a parent album can actually boost rather than depress the sales of its most popular single, any cherrypicking of individual tracks registering on the singles countdown. Call me presumptuous but I can't see any other single deposing them, at least for one more week.
The Top 3 is rounded out by Katy Perry holding firm at No.2 and the Pussycat Dolls rebounding to see 'When I Grow Up' return to the Top 3. The net result is to leave McFly with a consolation Number 4 as current single 'Lies' hits physical status and as expected surges up the chart from its initial Number 23 entry. Last weeks moratorium on knocking them still holds firm although I'd be failing in my duties as a statistics man to not point out that 'Lies' is the first ever McFly single to improve on its first week chart placing. It would be nice to report next week that the single has maintained its Top 10 status and fulfils its purpose of opening them up to an audience beyond the usual band of acolytes but let's face it, that is rather wishful thinking. Credit where credit is due at least, 'Lies' will become only their third single ever to miss the Top 3.
Also new to the Top 10 are Gym Class Heroes who move 12-6 with 'Cookie Jar'. The single is now their third chart hit in a row to penetrate the upper reaches, although the Number 3 peak of 'Cupid's Chokehold' in 2007 remains their target to beat. Ne-Yo also leaps up the chart, 'Miss Independent' moving 14-9 to coincide with the release of parent album 'Year Of The Gentleman' which lands at Number 2 on the album chart, unable for the moment at least to shift Metallica from the top.
So to the two former Idols. The week's highest new entry goes to the returning Will Young who smashes in at Number 10 with his brand new single 'Changes'. To give him due credit, any reference to his status as the winner of the first ever Pop Idol TV series back in 2002 must really be only as a passing acknowledgement to how his career began. Few would argue that he is one of the few acts to transcend his status as a reality TV winner, his consistent run of chart hits and acclaimed performances on stage and onscreen further cementing him as an all round performer and worthy superstar. 'Changes' marks his return to the studio after some considerable time away and is taken from what will be his first album in over three years. Hearing the single makes you realise that he was actually the unwitting herald of the new wave of young British soul singers, the track sounding both a natural progression from previous releases such as 'Who Am I' and 'Your Game' and yet at the same time neatly fitting the vibe of 2008 as defined by Duffy et al. Will Young - soul pioneer, who'd have thought it? The single has already become his tenth Top 10 hit from 11 releases and with physical sales set to be added to the mix next week I would book a Top 5 place for him in your personal predictions.
Idol number 2 on the other hand is a name that might be unfamiliar in that particular context. Jennifer Hudson's career began in 2004 when she was a contestant on the third series of American Idol although her participation on the show came to a halt when she was a shock early elimination. Not that she needed it apparently, as the next America heard of her was when she successfully auditioned for the role of Effie White in the film adaptation of 'Dreamgirls', a meteoric rise that was capped when she walked away with the Oscar for Best Supporting Actress in 2007. Although her show-stopping performance of the signature song 'And I'm Telling You I'm Not Going' did not chart here, most people were in no doubt that she was set for international success once she got on with the job of making records.
So here she is, shooting to Number 15 with brand new single 'Spotlight'. I must confess to being a little disappointed with the single as it is a rather functional five minutes of Stargate-produced pop R&B that is by no means unpleasant but far from the kind of spectacular vocal performance everyone knows she is capable of. Still, a hit is a hit although it is actually not her first ever chart single, that honour being reserved for 'All Dressed In Love' which crept to Number 72 back in April by virtue of its appearance on the 'Sex And The City' soundtrack album. Her chart success still caps a rather impressive year in the UK for the American Idol franchise which until this year had only spawned Kelly Clarkson as a transatlantic star. Now 2008 alone has seen Jennifer Hudson, Jordin Sparks and even David Cook all chart singles to varying degrees of success. I'm still holding my breath for the Melinda Doolittle star bandwagon to roll into town.
Now for the second set of connected singles, linked together by the same vocal line by the same singer. The line in question is '"No one in the corner has swagger like us" and in the first instance is part of the lyric to 'Paper Planes' from M.I.A. which rises 37-23 this week on its way to becoming a fairly sizeable and long overdue hit. M.I.A. (or Mathangi Arulpragasam as she is known to her mother) has had a long journey to the charts, having released her first album 'Arular' to critical acclaim (including a Mercury Music Prize nomination) but relatively little sales success in 2005. Her second album 'Kala' from which 'Paper Planes' is taken was first released in August last year and was similarly met with widespread appreciation and mainstream public indifference. After failing to chart at all when released as a single at the start of last year, it now appears that 'Paper Planes' is set to finally give the best singer you've never heard of her first ever major hit single. Its reappearance being credited to its use in trailers for the film 'Pineapple Express' as well as in several TV shows but also due to the track gaining the airplay it failed to attract first time around. Those wondering just where they have heard the naggingly catchy guitar riff at the heart of the melody need wonder no more - it is sampled from 'Straight To Hell' by The Clash which charted as a double a-side of the original release of 'Should I Stay Or Should I Go' back in 1982.
Yet that isn't the end of the story, for M.I.A.'s "swagger like us line" from the second verse of her song pops up again in pitch shifted sampled form on the Number 33 single. 'Swagga Like Us' which enters the chart to mark the return with brand new materal of Mr Glastonbury controversy himself - Jay-Z. It is the first single from both his forthcoming new album 'The Blueprint 3' and also the forthcoming 'Paper Trail' from T.I. who duets on the track. As if that wasn't enough star power, the track also features guest vocal performances from Kanye West and Lil' Wayne which I guess makes it the most star-studded hip hop single of the year. Of course these singles that attempt to cram as many "names" as possible inevitably end up being less than the sum of their parts and so it will not surprise you to learn that the most appealing and catchy part of the single is the M.I.A. sample, which you might as well obtain on her own single rather than this copy.
Finally for this week, to save the inevitable questions in the comments below about why it wasn't mentioned, let us acknowledge the presence at Number 39 of Chris Brown's re-released 'Kiss Kiss'. Originally peaking at Number 38 in November last year, the track was earmarked for a new push following his stellar year which has seen him scale the Top 10 both with 'With You' and 'Forever' but also alongside Jordin Sparks on 'No Air'. Despite topping the US Hot 100, it appears that the UK has a blind spot to this particular track, this Top 40 reappearance coming only after a new physical release. Download sales of the track remain negligible and as a result its longer term hit prospects rather less so.

Between Katy and Kings, I wanted Kings of Leon to be No. 1 again.
I heard there's a NEW Christina Aguilera song coming it's in the ARIA Charts now! Any news to bring back Save The Lies in the same way as they did on Sweet About Me ages ago? Good songs deserve credit and old ones need to get out!
Black and Gold is still hanging around the Top 40, wth!
"...as defined Duffy et al." What?
I think McFly damaged their chances of continuing their run of consecutive Top3 hits by releasing the online version one week ahead of the physical release. If downloads and physical sales had all set it simultaneously this week, a top 3 position would have been guaranteed.
And is it only me or does sound Will Young's "Changes" conspicuously like Hot Chocolate circa 1973? At least the verses do in my opinion, their brooding mood and "dark" sound not being miles away from "Emma" et al.
No.1 album next week!
what's the fuss about 'sex on fire'? i find it a little dull, and def. not worthy of a #1 placing.
And by chance I heard the Jennifer Hudson song on Steve Wright (showing my age) and he played the Moto Blanco mix which is fantastic, almost retro house. The Dreamgirls soundtrack is pretty great. And I'm Telling You I'm Not Going is such a fantastic song. The Donna Giles version, in the 90s had a great video to go with it. And One Night Only from the same soundtrack is a great song too. And to think I'm a funky house boy at heart, and really this tracks would find me dancing round my handbag in the local Ritzy!!
The Kings of Leon did make it this week, but the number 2 was wrong. That was McFly!
Evidence to back this up comes from HMV site who's download top 100 saw NO position for Kings of Leon, and a Number Two on CD sales. With McFly top on CD. Plus 49,000 sold on CD and Downloads in the country!
Last week I said that Kings of Leon sold 40,000 and the OCC said 44,000. The difference is because we count working copies and not faulty or errors! Infact 7,000 sold were like this.
Some of you might not think that the OCC fiddle the charts but I know they do. What difference does it make?
A lot to these artists: The Feeling who should be at number 17, Nickleback 'far away' (22) Mariah Carey (27) Kid Rock 'Blue Jeans' (33) Colbie Calliet (34)Elvis vs Spankox (35) City Girls (38) Kanye West 'Love Lockdown' (39).
By the way Take That (OCC34) are not even in the top 100!
Good to see Mcfly doing what they should be doing....releasing music for the audience, irrespective of where it may chart. It seems in the past they were pressurised to hit the number 1 position just to prove they were still successful but the following drops in descent always made them look like their career was skidding to a halt. Good to see them hit a respective chart position by doing it the normal way. Im no where near a fan of theirs but really quite like their new track 'LIES', especially the quirky video!
When does Ne-Yo officially get his CD release? Has it happened already? Good to see him back in the top 10, but its a shame Miley Cyrus coming so close but but not quite being able to crack the top 10.
Does anyone know why Take That have stormed back into the top 40 again?! This must surely be their biggest hit to date, no?
I find the real surprises land outside the top 40 this week. Sonny J have dropped out of the top 40 this week and dont seem to be able to get a hit with this one at all. Maybe its the high pitch, helium/on acid vocals that they need to change?!
Cant believe the starstudded Artist Stand Up to Cancer track has dropped out of the top 40 altogether! I honestly thought it would have been in the top 20...not falling 23 places down the chart! It seems to have tumbled out of the top 30 in America also..falling from 11 to 36!
James you mentioned the 'IDOLS' but you never mentioned the arrival of another reality tv star. Have you forgotten Lemar?! Its not a bad track at all. Im hoping this one goes top 40 soon.
I cant wait for Pink to hit our charts soon. Its not her best effort but the video is hilarious! I also cant wait for Leona Lewis's new one. The Video is excellent. And finally when is the official release date for Womanizer by Britney? Anyone know?!
Watch out for Faith Hill's 'There you'll Be' next week. It may get a significant re-entry for the same reason.
Surprising to see Cliff Richard's single only dropping 9 places. McFly must be looking on in envy...
....I'll get me coat ;)
What happened to the club tunes and the pop acts? Where have all of them gone? Sheesh! I am getting tired of checking out the weekly charts. Nothing rocks!
Its weird how every re-release i anticipate for weeks ends up flopping. First, Scouting For Girls with "Its Not About You," and now "Kiss Kiss," I've even bee neager to see if Nickleback's re-release of Far Away reachs the Top 20,but now im not sure...
WARNING! WARNING! WARNING! WARNING!
To those music fans thinking of purchasing the new triple CD set compilation titled ''The Edge Of The Seventies'' (Sony/BMG) Released Today ................
Beware: I've long been after a digital CD Quality copy of Quantum Jump's 1979 novelty hit 'The Lone Ranger' so when i saw this listed on the sleeve
to this set I immediately purchased it. On closer inspection of the sleeve notes and playing the track it turns out to be an AWFUL remix from 1999!..............As if this wasn't bad enough track one on CD1 is an awful remix of David Bowie's classic ' Sound And Vision' which is almost totally instrumental, save the last minute!
I've been caught out before with compilations i've purchased containing remixes or re-records of the original hit singles but for Sony/BMG to put out a frontline compilation like this which contains re-hashes or remixes is unforgivable as well as conning or deceiving the public.
This aside there are some great tracks on this compilation on CD for the first time as well as several rarities. It's just such a shame the track i was mainly after is a sodding crap re-record remix.
If any music fans know of a compilation or CD that does contain the ORIGINAL hit version then please post info here thank you.
It charted at 33 last week, and is not even in the top 100 this week.
It is a catchy song, that could easily have been around back in the early '80s.
I really hate the modern R&B, so this makes a very pleasant change.