Week Ending February 14th 2009
The most significant singles chart action leads to a new entry at Number 4 - the much anticipated return of Eminem. When the superstar rapper announced in 2005 that he was "retiring" from performing in favour of production and management, few really expected that his absence from the studio would be permanent. His memorable guest appearance on Akon's 'Smack That' in 2006 was proof that there was life in the old dog yet and sure enough, last year the rumours began circulating that he was contemplating a comeback. Just before Christmas finally came the confirmation from his label that the cheekily titled 'Relapse' was set for a 2009 release.
So you would expect the first Eminem single for over three years would naturally be the lead single from this celebrated comeback. Well for the moment it appears you would be wrong. 'Crack A Bottle' is for now being promoted as a one-off - a collaboration between Eminem, Dre Dre and 50 Cent who has himself announced that his next album 'Before I Self Destruct' will mark his own "retirement". The three men are similarly reticent as to just where the single will end up, with most suggestions currently being that it will not feature on Eminen's release but instead will find its way onto 50 Cent's album - and even then only as a hidden bonus track. All this intrigue only helps to heighten the interest in the single and sure enough it smashes its way onto the UK chart at Number 4, matching the peak of the last three singles of Eminem's pre-hiatus career. For 50 Cent it is the 11th Top 10 hit of his career, his biggest since 'Ayo Technology' made Number 2 in September 2007. Just to muddy the waters even futher, his last single 'Get Up' made Number 24 just a few short weeks ago and was officially promoted as the lead single from 'Before I Self Destruct'.
Also new to the Top 10 at Number 8 is 'Change', the first ever solo single from Daniel Merriweather. That isn't to say he hasn't had his share of hits before, most memorably as the single on Mark Ronson's version of 'Stop Me' which charged its way to Number 2 in April 2007. More recently he was the featured vocallist on Wiley's 'Cash In My Pocket' which made Number 18 during the holiday period. 'Change' is taken from his forthcoming album 'Love And War', and if you are wondering just why you like the single so much then check out the production credits. Who else but Mark Ronson would be helming the recording?
Action in the Top 20 is confined to up and coming hits making good progress. Shontelle soars to Number 13 with 'T-Shirt' whilst the Pussycat Dolls are the biggest climbers of the week, moving up 20 places with 'Whatcha Think About That'. There is a more surprising reverse for Britney Spears whose 'Circus' appears to be languishing just short of the upper reaches and which falls back to Number 15 this week. It is not that she hasn't had her fair share of mid-table singles in the past, but I don't think anyone expected the second single and title track from her acclaimed new album to have quite this kind of chart struggle.
Also making a flying leap, and quite pleasingly slow may I add, are the All American Rejects who land at Number 20 with current single 'Gives You Hell'. It is only the third such hit single from the American rock band who have spent the past five years attempting to gain a toehold in this country with very little to show for it. Big things were expected of them when their debut 'Swing Swing' was released in 2003 but despite copious airplay it could only make Number 13. Their only other Top 20 hit prior to today was 'Dirty Little Secret' which crept to Number 18 in 2006. Cross your fingers that they can improve just a little further with their current hit.
Finally for this week, they may with some justification be branded the biggest band in the world, but not even Coldplay are immune from the difficulties many acts have in promoting multiple hit singles. After 'Violet Hill' and in particular 'Viva La Vida' became such smashes last summer, the band released 'Lost!' as a single at the back end of last year only to see it become their first ever release to miss the Top 40 altogether. Their current single restores matters slightly, 'Life In Technicolor 2' as the title suggests is not the short instrumental track that kicks off the 'Viva La Vida' album itself but instead the full vocal version that appears on mini album 'Prospekts March' which was released as a bonus disc at the end of last year. After all the fuss that was made about the nature of "deluxe edition" marketing, it is nothing less than Coldplay deserve than proper acknowledgement of the more sensible approach they took. Whilst the 8 new tracks on 'Prospekts March' were indeed bundled with the special edition of 'Viva La Vida', it was also possible to buy the collection separately at a budget price, thus ensuring that nobody could feel short changed. A more intense single than most of the rest of the album, 'Life In Technicolor' was clearly far too good to languish just as a scene setter for the album and even if it doesn't manage to scale the heights of some of their other hits, a place in the Top 40 at Number 28 is nothing less than it deserves.

i'm liking the daniel merriweather track too, not so much eminem tho _
But you did say 99.9% did though, and that's complete rubbish!
Yes, many Americans don't listen to music from foreign singers and bands, but if you look at any 'albums of the year' list from decent American websites you'll see lots of bands from overseas. Even the Billboard charts have a fair few overseas acts on them.
It's very easy to generalise when talking about American attitudes or culture. And yes, I have encountered some extreme ignorance by Americans; some genuinely think that Europe is one country and all the individual countries are like American states, while others fail to grasp the concept that the American dollar isn't the currency for the whole world. But it's become fashionable just to knock them for any reason imaginable and many of the points made about them simply aren't true.
On a different note, it's true about there being too many r 'n' b and hip-hop in the charts, I for one much prefer the late 90's when most songs in those genres missed the Top 20 and dropped out of the Top 40 after one week.
Does anyone know where you can get a similar chart, possibly the Chain-With-No-Name chart (if such a thing still exists?)
Or perhaps a generous person with a Music Week description could post the physical chart new entries each week? It would be much appreciated!
I did read interviews with the band at the time and the track was played on Radio 1.
Also I have noticed that there seem to be two types of I-Tunes buyers (though I count myself not one of them). The first seems to a bunch that breaks records into the charts and the others are the ones that buy them after they get into the OCC top 40. This is happening a lot now, for example the A A Rejects entered at 38 last week and then I-tunes chart went mad this week hence another jump!
For the Elbow track to zoom up fast again it must have been on TV, but I didn't see it featured anyone know what or why?
I would say that Amazon downloads is not yet incorporated into OCC, as Leona is very high on there chart and not on OCC. Amazon also don't appear to have either Allen or Kid Cudi as they were both absent from the chart. Must be somebody being funny with them in record land, like HMV's old problem.
By the way who's the biggest seller of downloads after I-Tunes?
The Bellamy Brothers back in at 52 for some reason or other, Elbow at 48, and Puff Daddy at 73.
Also Take That are up to 72.
I love that song, and i hope it's a massive hit, but not sure when it goes physical, but it deserves to be another number 1, but i suspect it will end up like I wait for life, which spent 1 week in the chart at 17, as follow ups these days seem to flop a bit, unless it's R&B rubbish.
Facebook group: 'UK Top 40 Chart Chat'
"Crack A Bottle" is Eminem's 16th Top 10 hit as a solo artist, but 18th overall.
Even if "Life In Technicolor 2" by Coldplay doesn't climb any higher, I am happy to see then back in the Top 40. Their album has produced 3 Top 30 hits (2 Top 10s) now, which is impressive compared to the other UK bands that are struggling to make successful follow-ups nowadays. And at least "Life In Technicolor 2" is a bigger hit than "Shiver"
However, I think that "Life In Technicolor" might have peaked higher this week if "Prospekts March" were to be released around this time, and not back in November last year. Why re-release their album just to promote a rubbish remix of "Lost!" with Jay-Z?
As Brett pointed out on the Facebook group "UK Top 40 Chart Chat", "Breakeven" by The Script spends its 14th week in the Top 40 without reaching the Top 20, meaning if it can hang in there for a few more weeks, it will beat the record for longest "non-Top 20" stay in the Top 40 which is currently held by Lonestar's "Amazed"...
Anyone else noticed that Tommy Reilly's
"Gimme A Call" drops from #14 to #60?
Their latest single only made number 20 before dropping down, and now out of the top 40 after 2 weeks, and their latest album went in at 2 last week, and has dropped dramatically to number 21 this week.
The chances of any more hit singles to come from the album is very very slim indeed, and sadly they will either be dropped by their record label, or disband altogether. which would be a shame, as they are very good, and their latest single is one of their better songs.
Well you could say that this week!
Ok first the Bellamy's are back because of the add is showing again. Freestyle is the Cadbury choc add with the kids! Katie Perry going up due to channel Five promo for flopped soap on BBC1 on Five now! Rolling Stones- promo for BBC 4 and Vampire Weekend something to do with SKY.
Did notice that Reilly's sales had collapsed big time. Was this due to him not being on a major label and therefore poor promoition? The hope that downloads would bring about loads of unsigned acts doesn't seem to be happening, at least I think not (In the Chart).
Also did anyone notice too New Kids, at number 2 on HMV and not in the 75!
Well done to Lady GaGa for achieving a 5th consecutive week with sales of 50,000+. This together with Lily Allen's strong sales of 'The Fear' helps single sales to be over 40% higher than they were this time last year.
The Chart Show on radio 1 was much better with Scott Mills on Sunday, although still a million miles away from what we would like. He only skipped 3 tracks between numbers 40-21. Notice he praised MGMT's 'Kids' but still didn't play it. A sure sign that it's the producers of the show who really need to be changed more so than the presenters.
Unfortunately Music Week don't carry the Physical Singles chart any more. They do have a link to the Physical Singles chart listed on their Chart Menu but clicking on the link displays a message "No data available for this week." and has done since about September 2007. The printed version hasn't carried the chart since 2007 either.
If you'll find a solution to your problem please post here.
Very true, seeing as Rihanna can get annoying, but you have to admit that all her songs are extremely catchy and they're all well-produced. I don't want to wish ill to any singer because all of them work hard to get where they are now.
Plus, Rihanna's album Good Girl Gone Bad is reaching for its 90th week on the albums chart, and it's at number 18 now, showing no signs of leaving the Top 40 anytime soon. I wonder for how much time it'll stay up there?
Congrats to Lily Allen! And I'm really loving that Shontelle song; it's great! I hope it hits #1.
Franz Ferdinand are one of the best live bands on the circuit at the moment, and their medium-term future will be dictated by the success of their forthcoming world tour. Their appearance at Glastonbury this year will also give them a boost - just look at what happened to Kings Of Leon after last year's festival.
So, rock fans, don't panic yet. If FF were a pop or an r'n'b group, their chart showing would be a source of serious concern. Luckily, they aren't, so I would reserve judgement for another 6 months.
(And, if you've never seen them live, give them a try. You'll get a pleasant surprise).