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Week Ending May 9th 2009

Posted Mon 4 May 2009 10:16AM BST by James Masterton in Chart Watch UK

It has been quite the year so far for chart veterans of pensionable age. First came Tom Jones who thanks to the Comic Relief single 'Islands In The Stream' found himself the oldest man ever to have a Number One single at the age of 68. Now it is the turn of a man born just over a year later as at the age of 67 Bob Dylan finds himself the owner of a Number One album as his latest release 'Together Through Life' storms to Number One, beating The Enemy into second place.

Not that this hasn't been coming. The 21st century has seen the legendary singer revitalised in terms of critical and popular appreciation. His last two studio albums 'Love And Theft' and 'Modern Times' both made Number 3 in their first week on release and the latter also sensationally topped the US album chart when released in 2006.

Nonetheless there is something quite special about seeing his Bobness at the very top of the charts. His last Number One album came almost 39 years ago, back in November 1970 when 'New Morning' had a week of glory at the summit. His seventh chart-topper in all, he can now boast a span of Number One albums that stretches back to the release of 'The Freewheelin' Bob Dylan' back in 1963. He's famously never topped the singles chart in this country with one of his own recordings (coming closest in 1965 with 'Like A Rolling Stone' which made Number 4) but a handful of other artists have had Number One hits with his songs - namely 'Mr Tambourine Man', 'Mighty Quinn' and 'Knockin' On Heaven's Door'.

The album chart may well be in thrall to a veteran but it is the sound of bright young Britain which dominates the singles chart. Number One for a second week is 'Number 1' from Tinchy Stryder and N-Dubz, the single incidentally the 1094th Number One single just in case anyone had lost count. It restricts La Roux's 'In For The Kill' to second place meaning that single has been Number 2 for the last three weeks running.

Meanwhile as a result of the highest new entry at Number 3, Grime can boast two of the three biggest selling singles of the week. The new arrival is possibly the most extraordinary record you will hear all year - 'Tiny Dancer (Hold Me Closer)' which is credited to the rather unlikely trio of Ironik, Chipmunk and er, Elton John. Yes, yet again Elton John's willingness to have his back catalogue pulled apart in the most unlikely of ways bears chart fruit, four years on from when we though we had seen it all when 'Ghetto Gospel' have him a Number One hit alongside the voice of 2Pac. 'Tiny Dancer' is one of his earliest recordings, first appearing on his fourth album 'Madman Across The Water' in 1971. Never a hit (it didn't even chart here when released as a single in 1972), the song has nonetheless become one of his many signature hits over the years and frequently pops up as a popular culture reference in the most unlikely of places. Surely though none have been as unlikely as this although the best part is that this new version is quite extraordinarily good. Ironik and Chipmunk take it in turns to rap a tender ode to their lady love whilst the modern day beats steadily give way to Gus Dudgeon's original string arrangement before Elton's original vocals take centre stage for the chorus. To hell with it not being the most original concept in the world, as a pop record this works on just about every level you care to mention.

The single become's Ironik's third hit single and eclipses the peak of his debut 'Stay With Me' which made Number 5 last summer. Chipmunk's own chart debut came just a month or so ago when 'Chip Diddy Chip' stumbled its way to Number 21. This single goes a long way towards erasing the ludicrousness of that last release and if we are not looking at the 1095th Number One single right here then I will consider myself astonished.

'Tiny Dancer (Hold Me Closer)' is for all that the only new arrival in the Top 10 this week. This fact in itself makes for quite the story for it means that the long-awaited release of the radio edit of Girls Aloud's 'Untouchable' has only served to propel it as far as Number 11. This naturally does indeed raise the very real prospect that their unbroken run of official Top 10 hit singles could well come to a crashing halt. Wiser heads will point out naturally that what is effectively a "first week" chart placing of Number 11 is by no means the end of the story, even if this is the third single from the album. 'Untouchable' is just too good not to go Top 10 and I have a hunch it can edge up at least a notch over the next couple of weeks.

Also falling short is Pink who can only rise a place to Number 12 with 'Please Don't Leave Me' and so thus for the moment does not have her first trio of Top 10 hits since 2006. Yes, I know I said 1996 last week but that was an obvious typo and whilst it would have been a 30 second job to edit the posting, sometimes it is nice just to sit and be pointed at for being stupid. Miley Cyrus also queues up outside the Top 10 as 'The Climb' edges forward to Number 13. The single is now her second biggest to date, just two places behind the peak of 'See You Again' last summer. The added fascination for the single remains its unlikely halo hit 'Hoedown Throwdown' which enters the Top 40 this week to sit at Number 30.

On the climb inside the Top 30 is 'I Remember' from Deadmau5 and Kaskade which scoots 39-26. The single has unusually arrived on these shores after extensive success in North America where the US/Canadian pair scored a huge club hit at the back end of 2008. The hypnotic electronica single is one of those club tracks which is diverting enough to withstand extensive airplay and even if it never quite makes the upper end of the chart is destined to be propping up CD1 of "best mood music" compilations for some time to come.

In search of some new Top 40 entries there is a trio of them right at the very bottom. Leading the chart is 'La La Land' from Demi Lovato which motors up to Number 34. Another nauseatingly sanitised Disney-pushed star, she first charted in October last year thanks to the 'Camp Rock' DCOM and its soundtrack single 'This Is Me' on which she duetted with Joe Jonas. 'La La Land' is taken from her own debut album 'Don't Forget'.

One place below at Number 36 is 'Love You Better' from the Maccabees. It is the first Top 40 hit in over two years for the well regarded Brighton group. All it has to do is better the Number 33 peak of 2007 single 'About Your Dress' and it has become their biggest hit to date. Finally there is also a Top 40 entry for the third single from Alesha Dixon's current album, namely 'Let's Get Excited' which creeps up to Number 37 at the start of its promotional campaign. Coming off the back of Top 5 hits 'The Boy Does Nothing' and 'Breathe Slow' you would expect this single (the lead track from her 'The Alesha Show' album to be taking off in a similar fashion over the next few weeks although after the sparkle of its predecessors this new single sounds rather average in comparison.

This week there is no "Britain's Got Talent" inspired chart hit but it would be remiss not to acknowledge the power of television in prompting the arrival at Number 59 of 'My Sharona' from The Knack for its first chart run since it was a Number 6 hit in the summer of 1979. This is all thanks to three men in a van in a TV advert for Oatibix, although the song's central riff has featured on chart hits more recently than that thanks to Run DMC's 'It's Tricky' in 1987 and Rogue Traders' 'Watching You' in 2006 which were both based around the melody.

Incidentally, next week I'll be writing this with sore limbs and a desire never to move again after participating in a charity run in London. I'm raising money for Friends Of Chernobyl's Children, and if you are feeling generous to support me then there is a JustGiving page especially for that purpose. Anyone who donates as a chart fan will get a namecheck next week. If that isn't motivation, I don't know what is.

45 Comments

1. brett -
An optimistic country fan may take the news of Miley Cyrus' 2 chart placings, coupled with the recent success of Kid Rock, Taylor Swift and Faith Hill as a sign that modern country music is becoming popular in the UK, but if we're honest with ourselves all of these artists are marketed differently in the UK and their 'least country' songs are cherry picked as UK singles. Also, let's face it, how many over 16's downloaded either Miley track this week? The version of 'The climb' currently in the American country countdown is different from the version in the UK top 40

2. Steve -
Excellent summary James... thank you.... good luck with your run !!!

3. Andre -
James - Bob Dylan cannot have a 'span of Number One
albums', from the release of 'The Free Wheelin' Bob Dylan',
in 1963. You don't count such 'spans' from release dates.
Only from when an Album reached No.1. The 1963 Album
Charted in the UK, in May 1964. It did not reach No.1 until
April 1965. You should start the Dylan 'span' in April 1965.
I see that you still do not mention that he went to No.1
in June 2007, as one of The Traveling Wilburys.

4. brown c -
Interesting that Taylor's already down to 25 when she's now spent 11wks at no.2 in Australia that Breakeven song's also making waves in Oz even though as I recall it didn't do much in their own land

5. çetin -
pussycat's singles sell well but album didin't enough sell well why

placebo couldn't reach top 75 also take that's garden...

marmadeuke failed this week unfortunately

I hope girls alood couldn't reach top 10

6. Rich -
"Grime" is not a new genre of music. This is UK HIP HOP OR RAP. Tinchy, Ironik and Chipmunk are very young. GRIME artists make hits using old songs that are of any genre; pop, R&B or electronica. They have no particular musical skills or rapping skills. I think most RAP fans can see that the BIG labels don't really understand the streets but they do know how to make a HIT record that kids, parents, grandparents and great grandparents can relate to. So Elton John with young boys in shades seems to have done the trick this week.

7. Yahoo! Music User -
Radio stations DJ's seemed to be going nuts over the way to pronouce "Jai Hoi".
Country music isn't doing well, it's just that I-Tunes display the USA charts and people who buy from this [profane] site are in the majority. I don't use it, but I guess the UK top 40 must be on it, because I have noticed that as soon as a track doing well on the Tunes enters the 40, it races up the Tunes chart(s) even faster! Wheras one outside the 40 will sometimes fall on the Tunes, till the top 40 adds it for some strange reason, then up up and away on the Tunes they go...

8. Theo -
Was gonna give you some money for your worthy cause James but the link doesnt seem to work. Best of luck anyway.

9. Richard -
GRAHAM - I wouldn't call i-Tunes a profane site. Apart from its commercial policies I guess they represent a certain revolution in music when you can by couple of clicks have the access to basically everything that has been recorded in history...

10. grumpyoldgit.com -
James - don't you think that your new "Chart Bite" feature is serving to reduce the comments on this blog as some people have already said their piece? You currently have 11 comments on chart bite - most of whome are discussing Bob Dylan as opposed to just 10 on this blog (11 including this). At the end of the day it probably doesn't matter except that folk will move from Chart Bite to this after a few hours and threads of interesting topics could be lost. Just thought I'd mention it.

11. Robin T -
Cetin K, the Placebo single 'For What Its Worth' is an i-Tunes exclusive until its proper release on 1st June. Therefore it isn't a flop single.

I am sure the decision to allow the awful 'Battle for the Sun' to be downloaded free has backfired, as it's possibly the worst Placebo track ever.

'Meds' and 'Infra-Red' from the last album are two of my Top Ten Placebo tracks, so it somewhat reduces my expectations for the new album.

12. Robin T -
To quote Tinchy Stryder and N-Dubz' 'I don't understand how you're number one'.

Neither do I. The song is utterly tedious and lacking in anything you would expect from a decent single. I would go as far as to say that N-Dubz are the worst band of the noughties. They sound like a group of Year 9 pupils performing at a school talent night. Their other songs are just a tuneless collection of ideas stolen from much better groups, with cliched lyrics about infidelity or a death in the family.

Anyone else got opinions on who they would vote as the worst group of each decade? Here are mine:

00's; N-Dubz
90's: Vanilla
80's: Five Star
70's: Bay City Rollers
60's: Freddie and the Dreamers
50's: David Whitfield (there weren't enough groups in the 50's)

13. CJ -
Post 13: I agree, I said last week that this 'Number 1' is pure drivel, have you seen the video, its laughable and the 90's it was Vanilla Ice btw

Cant believe I'm gonna say it but that Girls Aloud song is quite good, it's a shame it might not go top 10 when there other crap stuff like 'Love Machine' and 'Biology' do.

Good commentary today, I liked it and btw James your justgiving page link don't work.

14. James -
"N-Dubz are the worst band of the noughties. They sound like a group of Year 9 pupils performing at a school talent night"

lol just like everyone/thing on reality tv...an embarassment/insult to the nations intelligence, and yet they are still glued to it...

I got a "worst group for each decade" list too, though i doubt anyone will agree with what i have compiled:

00's: Kings of Leon
90's: Steps
80's: Metallica
70's: ABBA
60's: The Rolling Stones

Yay Girls Aloud have missed the Top 10 at last! There is some justice in the world!!!

Stupid Flo Rida denying Green Day a Top 20 hit this week!

As much as I don't like her music, I have a feeling Miley Cyrus may scored her first Top 10 hit soon with The Climb...

Yes, the Top 40 is almost Kings of Leon free...

Agree with Robin T, i don't understand how "Number 1" is #1...i wonder if La Roux will ever reach #1 now...

15. Yahoo! Music User -
It's worth pointing out that Bob Dylan did feature noticeably on one number one single - his distinctive voice turns up on USA For Africa's charity hit 'We Are The World'. He sounds like he's on a completely different song to most of the other featured vocalists...

Also, Gabrielle's #1 single 'Rise' samples 'Knockin' On Heaven's Door' heavily.

16. First L -
CJ, post 13, I think Robin T did indeed mean Vanilla and not Vanilla Ice.

Vanilla were responsible for the most inane song on the 90s, the lamentable No Way No Way (mnah mnah) - so bad its worth looking for on YouTube!

17. brown c -
Robin T I don't know any of those bands so u may well be onto something there if they were good I'd know them and Huntj008 I thoroughly disagree with u about Abba I actually think they're the only 70s band worth listening to.

18. James -
Thanks for those who gave me the last foreign-language track in the Top 10 last week, I believe Alizée gets it. Very fine track that was too.

"Poker Face" has now fallen 1-2-3-4-5 which doesn't happen too often - seem to remember a song doing it sometime in the mid-90s, back in the days when the chart show would discuss the chart, rather than cakes. Can't remember what the song was, though...

19. Yahoo! Music User -
Post 9 risimko.. I-Tunes is not anyway a revolution, it was set up to block a revolution. Way back the record companies were arguing over how much money they could make out of digital music downloads, that the public got fed up and started puting the CD tracks on the net, it was called Napster I think. But the record companies got their act together and the law was brought in to clobber young kids who couldn't pay for downloads as they did not have bank cards. The result of this was I-Tunes.
Untill recently copy protection, granting licences and the like has kept the price of downloads high, while the material cost of the download has dropped, compared with the CD. So the cost of having a giant site like that is passed on to the fools who buy over priced, low quality and high profit, for the record companies, BUT NOT for the artists (who made the music).
As for the stock issue it would be nice to go on their site and browse without downloading software, then I might change my mind, but why bother when Amazon sell them for 29p?
Also I am always looking for tracks from 1976, but when I google or Yahoo them, the Tunes never comes up, so much for a store house if you can't find what you want on the best search engines going from a site like that.

Not related to the above, on Vanilla Ice thing, He never sang on the record if I recall the story correctly. It was all done by the bloke who invented Boney M, I think?

20. Yahoo! Music User -
Graham, you're getting Vanilla Ice and Milli Vanilli mixed up. It was the latter act who mimed to tracks actually made by Frank Farian and session musicians. Farian indeed was the creator of Boney M, and also supplied the male vocals for that manufactured act.
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